The
Partially Educated Review
I’ve
never been all that fond of explaining the Joker’s origin. I’ll
acknowledge that The Killing Joke is a fantastically written
comic book, but I just feel like interpretations of the character are
better served with as little knowledge of his motivations as possible; hence why Ledger will always trump
Nicholson. With Joker though, this is a film so downright grim
in tone that it could make Batman V Superman seem tonally akin
to Howard The Duck. The reassuring thing about that is there’s
no way the studios are letting this version of the Clown Prince
anywhere near their Batman films; allowing it to exist on an
alternate plane. Somehow that makes it OK to me.
As I’m
sure you know, Joaquin Phoenix is in the title role, playing wannabe
stand-up comedian Arthur Fleck. That is all I’m willing to
say about the plot. You’ll learn where he’s at mentally pretty
fast and you obviously know where he’s headed. It’s the route
there that holds the spoilers. Now, before I go any further, let's
get the controversy out of the way.
The
idea that this could influence people to commit similar acts is
obviously out there and if you’re thinking that, then I'd say
you're contributing to the problems that the film is attempting to
draw attention to. This film’s view is one of a society that is
crippled by injustice and that can’t help but be emblazoned by the
people proclaiming the film itself to be immoral. There was not a
single point where I felt like this film was presenting me with justification for Fleck’s actions nor did I ever see him
as an aspirational figure. Any of my resentment was aimed squarely at the society that gives us the troubling plausibility of what unfolds.
Phoenix
is fantastic. I recently saw this used as a way of describing his
performance…
…and
I couldn’t agree less. An early characteristic we’re given is
that his uncontrollable laughing is the result of a condition that
causes him to do it at inappropriate moments, even if he finds no
humour in the situation. The anguish he shows in these moments is
palpably chilling with a genuine fear setting in on me over the next time
these moments may break out. Elsewhere, the gradual cracking of his
placid nature comes along through a natural evolution, rather than
the stuttered steps that often make performances of this type feel
like a series of small explosions. It’s his film through and
through and while there are no bad performances elsewhere, they all
fall under his shadow. Even De Niro.
Director
Todd Phillips is not someone who’s known for his delicate touch.
But for two thirds of Joker, he does hold back somewhat.
Flashy set-pieces are nowhere to be seen and despite the change in
genre from his past work (Old School, The Hangover),
you never get the impression that he’s feeling as if he has to
prove himself. Unfortunately, the final third does stumble a little,
not because of any out and out missteps, but because of
predictability. The beginning of the climax teases a particularly
grim occurrence that bodes for things going even darker than you
would have expected and though there’s a complete absence of light
to the finale, there’s also a dearth of surprises. That’s not
to say that poor quality sets in though as it absolutely does not. It
certainly doesn’t do anything to betray the excellent start and
Phoenix remains magnetically chilling from start to finish.
Phillips
recently made some fairly moronic comments about woke society
destroying comedy. I checked though and woke is defined as “Alert
to injustice in society”. Guess what, Todd. You just made one of
the most woke films of the year.
EIGHT
out of 10
